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"It's not every independent New York-based Latin jazz outfit that can get famous guys like saxophonist Paquito D'Rivera and flutist Antonio Hart to jam with them, so it makes sense to begin discussion of this very appealing, brilliantly played project with their contributions. D'Rivera's honking contributions to the rolling, percussive "Voyager" are not specifically Latin in nature, but offer a powerful straight-ahead melody in conjunction with Hart's soulful flute. Testament to the strength of the six-piece outfit is the fact that the real stars on that track are pianist Ray Naccari and bassist Kevin Jacoby, who keeps the tune moving. D'Rivera also appears on the tribal jam "Ash'e," blowing funky, then honking heavily over Duke Lee's irrepressible jungle percussion. Slide Hampton dresses up the romantic "Black Orchid" with a subtle trombone solo halfway through, but again the native Iguazuans like Naccari and vibist David Clive carry the load; a later improvisational duet section between Hampton and Naccari is amazing. There are also many cuts without any all-star help, most notably the brassy, Santana-like blues rocker "Cold Shot" featuring vocalist Rick Howard; it's like a Latin Tower of Power tune. There's a little too much tendency for these instrumentalists to put their bravura in the service of mediocre vocals - meaning that "It Ain't Nothing But a Thing" features a powerful instrumental track but a throwaway bluesy vocal line. Ditto "The Girl Who Loved to Dance" which features a high and low vocal over a colorful flamenco harmony. Whatever flaws this disc has are easily solved if Iguazu realizes its amazing strengths lie in instrumental music and not in token vocals which aren't strong enough to gain airplay anyway. Cool, exotic cover art is also a plus." ![]() Joe Grandwilliams, Good Times ![]()
Ranging from the evocative "Iguana Man," with its "Europa" like feel, to the jazz-ballad
"Thanks Kenny," there's an entire curriculum of latin-styled jazz laid out here. Of course, if you don't care about learning anything, just listen to some remarkable players work some magic. These
guys have a great chemistry together, and if the Nobel Prize could be awarded for production
and engineering, this recording deserves it." ![]()
"The Bearded Dragon" and "Chasing The Bearded Dragon" are beautiful with spiritual overtones as you are introduced to the soul of the lguana. "Mr. Easy," the only composition on the album written by Ray Naccari (Rick Howard arranged and wrote the rest) would make a great sound
bed to a futuristic video game. Carl Fisher on trumpet and valve trombone and Marty Kersich on tenor sax lend a hand. "Samba Mood" is a slower cut, like a pure silver stream slow moving and true. You become entranced as you are merrily dolloped deeper into "The
Hedonist," Rick really goes to town here. Some of Rick's prior album mates include Bob Marley, stage mates include Keith Emerson. The point man Ray shines on
"When Bongo Sleeps." "lguana Man" features David Clive on
Gretsch Drums is amazing. He conveys many textures and emotions, effortlessly shifting the mood or destination of the beat. "lguana Man" really highlights Chacho's percussional pyrotechnics as he really heats it up toward the end. "Thanks Kenny" is the most sparkling gem in the jewel case. The delicate separation and balance on this track is superior. "Less is More,"
"Amazonia." and "Lisa" end this unique Latin jazz homage." ![]() Jonathan Wilson, Jazziz |